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Two hitmen in Belgium take in the local culture and change their views on life and death. Through the experiences of five very normal, very Christian, very American families - including those of former House Majority Leader Richard Gephardt and Episcopalian Bishop Gene Robinson - we discover how insightful people of faith handle the realization of having a gay child. Is the chasm separating gays and lesbians and Christianity too wide to cross? Is the Bible an excuse to hate? Director/co-writer Daniel Karslake's provocative and entertaining documentary brilliantly reconciles homosexuality and Biblical scripture, and in the process reveals that Church-sanctioned anti-gay bias is based almost solely upon a significant (and often malicious) misinterpretation of the Bible. At Century, Colony Square, Twin Peaks and Flatiron.
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At Flatiron, Colony Square, Twin Peaks and Century.Ī married couple rekindles their romance while on the hunt for buried treasure. In order to cope with this new sense of perception, Sydney must figure out whose eyes she has. While adjusting to her new world of shapes and colors, images of death begin to appear. Sydney, a blind violinist, is given the opportunity to see when she undergoes an eye-transplant surgery. Rated PG-13 (for nudity, sexual content and some language). He spent the last months of his life at a hospital where he managed to “blink” out his memoirs using a painstaking system, letter by letter. In 1995, a stroke left Bauby essentially immobile except for one eyelid. Without making conventional pleas for viewer sympathy, director Julian Schnabel has met his subject, French fashion-magazine editor Jean-Dominique Bauby, on his own terms. This adaptation of a memoir is a visual marvel that wraps its subject in screen romanticism without romanticizing his affliction. At Flatiron, Century, Twin Peaks and Colony Square. Rated PG-13 (violence, terror and disturbing images). Sometimes a few hundred empty calories hit the spot. The movie is dumb but quick and dirty and effectively brusque, dispensing with niceties such as character.
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Its special guest star is a Godzilla-inspired sea creature rather coyly concealed from full view, like a hostile celebrity who gets itchy around cameras. There’s nothing to Cloverfield, really, but stripped-down chaos shot in a faux-verite Blair Witch Project fashion. Rated R (strong language, nudity/sexual content and some drug use). Julia Roberts stars as a Houston socialite with born-again fire in her eyes, and Philip Seymour Hoffman - by far the best thing going here - plays a gruff CIA operative. Why isn’t this topical comedy with A-list talent more compelling as a tall-tale true story? Tom Hanks plays Texas congressman Charlie Wilson, backer of the 1989 covert war in Afghanistan, and any resemblance to America’s current foreign-policy entanglements is purely soft-peddled. Rated PG-13 (language, including a sexual reference). Rated R (a scene of strong graphic sexuality, nudity, violence, drug use and language). Everything goes to hell straight off the interest lies in watching everybody squirm and wriggle as they cope with murder, infidelity, drug addiction and a general case of the sweats. Sidney Lumet, 83 and wily as ever, directs this odd, absorbing chamber drama about two brothers (Philip Seymour Hoffman and Ethan Hawke) who engineer a robbery of their own parents’ Westchester, N.Y. At Esquire, Flatiron, Colony Square and Century. Rated R (disturbing war images, language and some sexuality). It’s a bit swoony in the second half, as the story chugs toward Dunkirk, but this is exquisite period filmmaking, wonderfully acted and cleverly adapted by Christopher Hampton.
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February 7-February 13, author Ian McEwan's grave love story, what transpires between young Cecilia (Keira Knightley) and the gardener’s son (James McAvoy) is just one in a compelling series of unfortunate events interpreted by Cecilia’s hyperactively imaginative younger sister.